In this post, Espen continues to work on his 'How to Write Horror Music' series.
This time, he is moving into Act 2, where it really starts to build and grow.
In this post, Espen continues to work on his 'How to Write Horror Music' series.
This time, he is moving into Act 2, where it really starts to build and grow.
I had to work all night to meet LA deadlines while juggling a day job, leading straight to burnout; here is how I learned to survive the time zone trap, set boundaries with production houses, and make custom music work on my terms.
A free collection of professionally recorded cello, violin, and vocal samples designed specifically for horror composition—recorded dry in mono so you can layer, manipulate, and transform them into your own signature terrifying sounds.
Think horror music is all about shrieking violins and ominous drones? Think again. After years of scoring horror films and trailers, I've discovered that the most unsettling music often sounds surprisingly sweet.
In my newsletter, we discuss all things composition, music production, mindset, and making money from your music. As well as sharing stuff I think is cool 🤘🏼