Welcome to my Trailer Music School where I teach how to write amazing Trailer music.
I am going to show you how to make trailer music. I love trailer music and I love teaching it too. Looking over the free content on "how to write trailer music", I feel that quite a few basic elements are missing. So I thought I would create a post...
In this month's Trailer Music Monthly newsletter, Rich dives into the Corner Office trailer music, gives you 8 inspiring trailers to watch, shares the latest podcast episodes and reveals this month's practice brief.
In this episode of the Trailer Music Composer's Podcast, I had the pleasure of interviewing Jiri Nemec. Jiri reached out to me via email with the subject line "Star Wars placement at 17 thanks to your podcast", and I knew I had to have him on the show to explain...
Richard Interviews orchestral mixing and mastering engineer Joël Dollié about life as a freelance mixing engineer, course creator, and plugin developer.
In this episode of The Trailer Music Composer's Podcast, I had the pleasure of interviewing Chris Davey about his journey from working as a part-time labourer to landing regular placements as a trailer music composer. In the Podcast, We Cover: * How Chris first learned about trailer music * How Chris made...
[Here's the video transcript] My track 'Thread of Time' recently landed on a trailer for the video game, The Lost Ark. They've just done an update called the 'Artist' series. And they used my track 'Thread of Time'. In this post, I want to give you a lovely walkthrough of...
In this post, I had the pleasure of asking the amazingly talented Chris Davey about how he wrote the music that was used in the Ruby Gillman trailer. I was doing my own breakdown of how the music was used in the trailer when I reached out to Chris to...
Whether you call it Act 3 or Act 4, this small section of the music at the end of the trailer is vital for creating urgency and impact.
Let's be honest. In pretty much every single genre of Trailer Music the third Act needs to sound HUGE, expansive, and generally epic in every way. Even in neoclassical piano tracks the third act needs to step up and bring scale and impact to your track. My aim, with this...