Learning paths · All levels
Make a living from your music
The honest business side of being a composer, with real numbers. How the money works, how libraries and custom work operate, how to find your lane and how to build income that doesn't depend on one company.
The reality check
What composers actually earn, and where it comes from. Real numbers, no hype.
How the industry works
Libraries, contracts, briefs and custom work, explained from both sides of the table.
- 4 Inside the Production Music Industry with Taz Mattar: A Library Insider's Guide to Getting Your Music Placed 4 min
- 5 TMCP 054: Exclusive VS Non Exclusive Contracts Episode
- 6 TMCP 055: A Discussion about Royalty Free Music and Buyouts Episode
- 7 TMCP 010: How To Write To Briefs Episode
- 8 The Custom Music Survival Guide: How to Beat Burnout, Time Zones, and Unfair Deadlines 5 min
- 9 Time Zone Juggling: Fitting Custom Composer Work Into Your Life 3 min
Find your lane
You don't have to write everything. Find the music you're good at and that people need.
- 10 TMCP 009: How To Find Your Niche Episode
- 11 TMCP 024: How to Find Your Signature Sound Episode
- 12 TMCP 011: How Do I Know If My Track Is Good Enough? Episode
Want this stage taught in full? The Accelerator: My 12-week, one-to-one mentorship. Weekly calls, weekly video feedback on your tracks, direct access to me, and every one of my courses. Spaces are limited.
Build income you control
YouTube, streaming and selling direct, so one library or algorithm change can't take everything.
- 13 The YouTube Strategy That Built 700K Subscribers: How One Composer Turned Belief Into Income 8 min
- 14 Why Music Streaming is Broken (And What Composers Can Do About It) 4 min
- 15 The Direct-to-Fan Project 7 min
- 16 Combining the joy of creating with networking, marketing and portfolio building. 2 min
Want this stage taught in full? The Composer Academy: A community, course library and coaching space for composers working towards a career in trailers, libraries and sync. Every course, live sessions with me, and real track feedback.