Latest
Fossil Hunting & Tiny Pebble People
Me and my family went fossil hunting on Charmouth beach on the Jurassic coast over the weekend. I’ll be
Combining the joy of creating with networking, marketing and portfolio building.
By making music for other people's content and sharing it with them.
What are we exactly?
Thoughts on struggling to find the words to define what you do and as a result who you are.
Too many choices
Overwhelmed by choice and fear of focus and boredom...
The honest truth about production music income in 2026 (with real numbers from my career)
Everyone talks about passive income from music. Almost nobody shows you the actual numbers.
How to Score a Haunted House (and Other Small Miracles)
Learn the secrets of writing orchestral comedy music for TV sitcoms. Join me as I break down the production of "The Polite Poltergeist," featuring MIDI tips, sample delay tricks, and instrument selection for a "haunted house" vibe.
The YouTube Strategy That Built 700K Subscribers: How One Composer Turned Belief Into Income
Composer Greg Dombrowski reveals how he built a thriving YouTube career without relying on trends, algorithms, or optimisation hacks, just one track a week and an unwavering belief in his craft.
The Custom Music Survival Guide: How to Beat Burnout, Time Zones, and Unfair Deadlines
I had to work all night to meet LA deadlines while juggling a day job, leading straight to burnout; here is how I learned to survive the time zone trap, set boundaries with production houses, and make custom music work on my terms.
Free Horror Music Sample Pack
A free collection of professionally recorded cello, violin, and vocal samples designed specifically for horror composition—recorded dry in mono so you can layer, manipulate, and transform them into your own signature terrifying sounds.
5 Things That Make Great Horror Music (And None of Them Are Just Scary Sounds)
Think horror music is all about shrieking violins and ominous drones? Think again. After years of scoring horror films and trailers, I've discovered that the most unsettling music often sounds surprisingly sweet.
