In this video I show you how I go about making drum tracks for Trailer intros.
These tracks need to sound impactful and generally pretty cool.
You know these, they are the ones that start with claps and then bring in big rocky toms and huge sounding taiko fills. They are so much fun to write and they are perfect foe comedy action films; generally films that want to sound cool and banging (technical terms).
Everyone talks about passive income from music. Almost nobody shows you the actual numbers.
Composer Greg Dombrowski reveals how he built a thriving YouTube career without relying on trends, algorithms, or optimisation hacks, just one track a week and an unwavering belief in his craft.
I had to work all night to meet LA deadlines while juggling a day job, leading straight to burnout; here is how I learned to survive the time zone trap, set boundaries with production houses, and make custom music work on my terms.
How Production Music Actually Works - the honest map from your studio to sync placements with Netflix, Google and Toyota. No fluff, no inflated promises.
