Richard Pryn
Hey guys. I am a trailer music composer. Podcaster. Illustrator. Writer. Educator. Husband. Father. And a huge fan of coffee
540 posts
No Internet...
In this week's newsletter, I cover: * No internet * My favourite things this week * Interview with Chris Davey * The Reason 90% of Composers Fail The Quiet Whisper |Issue 21 No internet For the past two weeks, my family and I have been settling into our new home. We'...
Everything I Know About Trailer Music
In this week's newsletter, I cover: * Everything I know about trailer music * My favourite things this week * How the Music in the Ruby Gillman Trailer Works * An Interview with composer Chris Davey The Quiet Whisper | Issue 20 Everything I know about Trailer Music My family and I have...
Chris Davey on Writing the Music for the Ruby Gillman Trailer
In this post, I had the pleasure of asking the amazingly talented Chris Davey about how he wrote the music that was used in the Ruby Gillman trailer. I was doing my own breakdown of how the music was used in the trailer when I reached out to Chris to...
Are We Having Fun Yet?
In this week's newsletter, I cover: * Are we having fun yet? * My favourite things this week * The biggest about the music industry? * Only Logic Pro Tutorials * Hot New Trailer Trends * This week's release - The Quiet Whisper | Issue 19 Are we having fun yet? My kids...
How to Bounce Stems in Logic Pro X
When working in any DAW it is important that you not only know what stems are but also how to bounce and/or export them. In this post, I am going to show you how to make, bounce, and export your stems in Logic Pro X. How to Make Stems...
Overcome Imposter Syndrome?
In this week's newsletter, I cover: * Can You Overcome Imposter Syndrome? * My favourite things this week * Getting verified as an artist * This week's release - Uke Percussion The Quiet Whisper | Issue 18 Can You Overcome Imposter Syndrome? The other day, I was working on a song...
Act 4 - WTF!?
Whether you call it Act 3 or Act 4, this small section of the music at the end of the trailer is vital for creating urgency and impact.
How to Make your Act 3 Sound MASSIVE
Let's be honest. In pretty much every single genre of Trailer Music the third Act needs to sound HUGE, expansive, and generally epic in every way. Even in neoclassical piano tracks the third act needs to step up and bring scale and impact to your track. My aim,...