Building a Career as a Trailer Music Composer with Chris Davey
In this episode of The Trailer Music Composer's Podcast, I had the pleasure of interviewing Chris Davey about
Welcome to my Trailer Music School where I teach how to write amazing Trailer music.
In this episode of The Trailer Music Composer's Podcast, I had the pleasure of interviewing Chris Davey about
[Here's the video transcript] My track 'Thread of Time' recently landed on a trailer for the
In this post, I had the pleasure of asking the amazingly talented Chris Davey about how he wrote the music
Whether you call it Act 3 or Act 4, this small section of the music at the end of the trailer is vital for creating urgency and impact.
Let's be honest. In pretty much every single genre of Trailer Music the third Act needs to sound
Improve your composing and orchestrating workflow by learning how to create an orchestral template.
I am always on the lookout for free Kontakt instruments and effects plugins to add new sounds and flavours to
Your second Act needs to bring pace, power, and build. Let me show you what you need to do to achieve that.
Everything you need to know about producing Trailer Music; from complete beginners to seasoned pros there is something here for all of you.
Act 1 sets the scene and mood of the trailer. It needs to grab attention and yet not steal the show - getting the viewer excited about the movie. I show you the rules you need to know to create an amazing-sounding Act 1.
In this post I explain everything you need to know about Stems in music production.
In this post, I show you how you can sketch out an entire Trailer music cue in a matter of
How Production Music Actually Works - the honest map from your studio to sync placements with Netflix, Google and Toyota. No fluff, no inflated promises.